- Authentic Ukrainian Savors
- Intangible heritage
-
Elements of intangible heritage
- Opera
- Wooden churches
- Open-air museums
- About the project
- Youtube
UaEn
Supported by
Google Ukraine
Author
Iryna BatyrievaBatyrieva Iryna Mykolayivna is a Candidate of Historical Science, ethnologist. She is an Associate Professor at the Department of History and Culture of Ukraine of the Faculty of History, Ethnology and Law in the Vinnytsia Mykhailo Kotsiubynsky State Pedagogical University. She actively participated in the creation of the Ethnographic Museum of the Ethnographic Center as well as the Museum of Ethnology of Podillia of the Museum and Educational Center of the Vinnytsia Mykhailo Kotsiubynsky State Pedagogical University. She is the head of the Center for Folk History at the Vinnytsia Mykhailo Kotsiubynsky State Pedagogical University.
Batyrieva Iryna Mykolayivna presented her PhD thesis on "Traditional Culture of Podillia in the Studies of the 2nd Half of the 19th and the Early 20th Centuries" on the specialty "Ethnology" under the academic supervision of Borysenko Valentyna Kyrylivna, ethnologist, Doctor of Historical Science, Professor.
Batyrieva Iryna Mykolayivna cooperates with the Institute of Ukrainian Studies (Kiev, Ukraine), the National Museum “Memorial to Holodomor Victims” (Kyiv, Ukraine), Institute of Ethnology and Cultural Anthropology of the University of Warsaw (Warsaw, Poland). She is a participant of four and a leader of eight ethnographic expeditions to various settlements of Vinnytsia region, as well as the co-organizer of four Ukrainian-Polish expeditions to the village of Murafa in Sharhorod district of the Vinnytsia region. As a participant of the joint German-Ukrainian project "The Return to the Society’s Collective Memory of the Forgotten Groups of Victims of the 2nd World War of the Vinnytsia Region", she is studying the issues of the stalag (Nazi prisoner-of-war camps) No. 329.
Her range of academic interests includes ethnography, ethnographic museology, the agrarian culture of Ukrainians, cultural anthropology, urban studies and folk history.
She is the author of more than 40 publications on research of traditional culture of Eastern Podillia of the 2nd half of the 19th and the early 20th centuries, agrarian culture of the Vinnytsia area, ethnic and social, demographical, historical and cultural processes in the region in the 2nd half of the 20th and the beginning of the 21st centuries.
The ancient Cossack town of Opishne (Opishnya) located in Zinkiv district of Poltava region is one of the most powerful and glorious centers of cultural identity of Ukrainians.
It is called the pottery capital of Ukraine. This is a unique center of ceramic production in Ukraine with its own creative face and a unique historically formed range of household and decorative products. It is the highest town of the Poltava region, situated on seven hills that were formed by the Vorskla River. It remembers the battle with the Swedes and is famous for pottery, which has been evolving here for three millennia. The ancient heritage of potters is one of the sources of the formation of national culture, spirituality recorded in clay. At the beginning of the 20th century, there were almost 1000 potters. Their products dispersed in the surrounding villages and far from the Poltava region.
In the late 19th century, the entire civilized world started to look closely at the works of the local potters. Their products have found their fans and collectors. There were cases when the dishes were bought by collectors right from the kiln. At the beginning of the 20th century, the Russian consul in London reported to Zinkivsky county rural council about the great popularity of Opishnia ceramics in England and even begged to increase its supply to the European markets. The largest museums of the Russian Empire, as well as the European and American countries were sending special expeditions to Opishne to create their own collections. In 1894, in Opishne, the first rural exemplary pottery workshop in the Left Bank Ukraine was opened, which has become the only center for the development of potter's schooling in Ukraine to this day.
Opishnya masters created masterpieces in the best local traditions with a bright local vibe. In Opishne there are both everyday and festive ceramics traditionally produced. These are glazed decorative and household utensils (pots, jugs, makitry, pots, jugs, bowls, pitchers, kumantsi, barrels and flasks), dishes, decorated with techniques of rizhkuvannia (ceramic painting) or fliandrivka (painting on wet pottery) of mainly floral ornament, and figured decorative dishes of sculptural nature with stylized images of animals (lions, rams, bulls, grasshoppers, cocks). The utensils have an extremely diverse range, perfection of forms, brightness of colors and high technical qualities. A special is the small ceramic sculptures that are made of pottery pieces, and painted or decorated with textured stucco and colored glazes (including riders, grasshoppers, young men & women, various compositions of human or animal figures).
They are special products, clad with pottery details and painted or decorated with textured stucco and colorful glaze. Children's clay toys (goats, fish, antlered baa-lambs, fattened pigs, lions, roosters, horses, whistles) and small handmade sculptures are of great diverse. Much attention is paid to decorating products. Opishnya pottery attracts with its compositional brightness, variety of shapes, techniques, variety of ornaments, elegance and richness of color ratios.
Opishne is rich on the deposits of many kinds of ceramic clay. However, the local artisans choose a clay of grey color, which becomes light yellow after burning. After modeling, the clay dries for almost a week in natural conditions. Then there are the processes of firing, glazing or coloring and burning again. The product is manufactured for at least 30-40 days
Opishnenya pottery is rich in its style, functionality and artistry. The Opishnie dishes are thin-walled. They are notable for two to three color painting in the form of kryvulyny (curved lines), lines, dots, as well as floral ornaments (flowers, leaves, berries and wreaths). Fliandrivka is a famous local painting technique. The color scheme of such ornaments is a combination of white, red, green, and brown with a small amount of black. Here, the toys are painted in a special way: it can be a "branch" on the back of the animal, curved lines with dripping on both sides, as well as "sun" on the chests of the animals. Such a painting is a visiting card of a local toy.
Opishne painting is mostly contouring floral ornament: flowers, clusters, ears of wheat, branches in the form of bouquets and wreaths. The painting is performed by an engobe technique (hiding the lacks before firing) and then the product is covered with glaze. The traditional Opishne ceramics were often either unpainted or in natural tones of clay. Both men and women, as well as artisans, were potters. Maliuvalnytsi (women-painters) were more engaged in ceramic painting.
The most famous potters today are Mykhailo Kytrysh, Vasyl Omelianenko, and the Poshyvailo dynasty, toy master Hanna Didenko. In Opishnya hosts the private pottery art workshops of famous Ukrainian artists, honored figures of folk art of Ukraine, including Mykhailo Kytrysh, Vasyl Omelyanenko, Mykola Poshivaylo. Opishne ceramics began with the names of the masters of Fedir Chyrvenko, Ivan Gonchar, Ivan Gladyrevsky, Iukym Reznyk. The work of eight Opishnya potters was awarded with the honorary title of "Honored Master of Folk Art of Ukraine", and the talent of three potters brought them the State Prize of Ukraine named after Taras Shevchenko.
Jerzy Baru, the Polish ambassador to Ukraine (1999) was impressed by the largest museum of pottery in Ukraine in Opishne. It struck him with its masters and a living, deep folk tradition. The museum was founded in 1986, and since 2001, it is the National Museum-Reserve of Ukrainian Pottery. It consists of the Institute of Ceramics, the Center for the Study of Ukrainian Pottery, the National Archives of Ukrainian Pottery, the Potter's Library of Ukraine, the memorial estates of O. Seliuchenko and the Poshyvailos, the State Specialized Art Boarding School "Collegium of Arts in Opishne".
The potter's ethno park stretches out in the yard of the museum. It is a gallery of monumental and garden-park clay sculptures. Their authors are artists from different cities of Ukraine, winners of all-Ukrainian pottery festivals, holding in Opishne.
In February 2018, the Opshne ceramics was recognized as part of the National Intangible Cultural Heritage, which provides for measures to protect it by the National Museum of Ukrainian Pottery and the "Potter`s Wheel" Private Pottery Company.
We believe that on our site you have found a lot of new and interesting, and, perhaps, have become a true expert and are ready to further convey to the others the knowledge and traditions of the Ukrainian people. To be sure, we recommend you taking the test.
National Museum of Ukrainian Pottery and the National Archives of Ukrainian Pottery in Opishne, as well as a photographer Serhiy Korovainyi, kindly provided photo materials for creation of this Webpage.